AN ART LOVER's GUide TO CAMBRIDGE - 'Dog', 1914, Henri Gaudier-Brzeska (1891-1915) Kettles Yard, Cambridge
Sometimes less is more. This is certainly true of Gaudier-Brzeska’s 'Dog' which sits at the top of a small flight of steps leading from the Bechstein Room to the Bridge at Kettles Yard. The young sculptor has refined and reduced the animal’s form to its essentials - head, eyes, ears, body and legs. None of these elements are in proportion or depicted in detail and yet the dog is immediately recognisable.
Henri Gaudier was born in France but moved to London in 1911 with Sophie Brzeska, a Polish writer 19 years his senior, whose name he adopted. By 1914, when this sculpture was originally carved, Gaudier-Brzeska was associated with a group of artists called the Vorticists led by Wyndham Lewis and Ezra Pound. Their aim was to create a dynamic form of modern art partly inspired by Cubism but also reflecting the machine age and the urban environment. The sharp angles of the dog’s nose and tail may have a mechanical feel but the curves of the back and ears give the sculpture a humorous realism that make it immediately appealing. The original sculpture was carved in marble but a number of bronze casts were made in the 1960s, of which this is one.
Tragically, Henri Gaudier-Brzeska died aged 24 while on active service in the First World War. He left the contents of his studio to Sophie Brzeska and after her death in 1925, Jim Ede, the founder of Kettles Yard, became involved in the disposal of her estate. Unable to find interested buyers, he bought much of the collection himself and became a champion of the artist’s work, publishing a biography of Gaudier-Brzeska in 1931 entitled “Savage Messiah”.
As with other artists who die young, it is pure speculation to consider what Gaudier-Brzeska would have gone on to achieve. His sculptures, drawings and paintings are at the heart of the Kettles Yard collection. Hopefully, it’s now not too long before we can be back in the House enjoying them. When you are able to visit again, make sure you don’t miss the dog on the step!
Henri Gaudier-Brzeska (1891-1915) Dog, 1914, posthumous cast in bronze 1965, 15 x 35 x 8 cm; view of the Bechstein Room from the Bridge, showing 'Dog' at the top of the steps, both Kettles Yard, University of Cambridge.
All posts written and researched by Sarah Burles, founder of Cambridge Art Tours. The 'Art Lover's Guide to Cambridge' was sent out weekly during the first Covid 19 lockdown while Cambridge museums, libraries and colleges were closed.